Assyrian (gypsum-alabaster) Relief Panel (883–859 BC) - Iraq : This panel from the Northwest Palace at Nimrud (ancient Kalhu) depicts a winged supernatural figure. Such figures appear throughout the palace, sometimes flanking either the figure of the Assyrian king or a stylized "sacred tree." The reliefs were painted, but today almost none of the original pigment survives. However, the reliefs themselves retain incredible detail, including intricate incised designs on many of the figures’ clothing. The figure depicted on the panel is eagle-headed and faces left, holding in his left hand a bucket and in his right hand a cone whose exact nature is unclear. One suggestion has been that the gesture, sometimes performed by figures flanking a sacred tree, is symbolic of fertilization: the "cone" resembles the male date spathe used by Mesopotamian farmers to artificially fertilize female date-palm trees. It does seem likely that the cone was supposed to hold and dispense water from the bucket in this way, but it is described in Akkadian as a "purifier," and the fact that figures performing this gesture are also shown flanking the king suggests that some purifying or protective meaning is present. The figure is richly dressed, with jewelry including a collar whose front bead appears pomegranate-shaped, a further collar with pendant tassels, armlets, and bracelets, one artificially reversed so that the large central rosette symbols, associated with divinity and perhaps particularly with the goddess Ishtar, are visible on both. Although we cannot know how these elements were originally painted, excavated parallels include elaborate jewelry in gold, inlaid with semi-precious stones. The figure carries two knives, tucked into a belt with their handles visible at chest level. The figures are supernatural but do not represent any of the great gods. Rather, they are part of the vast supernatural population that for ancient Mesopotamians animated every aspect of the world. They appear as either eagle-headed or human-headed and wear a horned crown to indicate divinity. Both types of figure usually have wings. Because of their resemblance to groups of figurines buried under doorways for protection whose identities are known through ritual texts, it has been suggested that the figures in the palace reliefs represent the apkallu, wise sages from the distant past. This may indeed be one level of their symbolism, but protective figures of this kind are likely to have held multiple meanings and mythological connections. Figures such as this continued to be depicted in later Assyrian palaces, though less frequently. Only in the Northwest Palace do they form such a dominant feature of the relief program. (236.2 x 177.8 x 10.8 cm) MET Museum - (not on view) https://x.com/histories_arch/status/1829461681811988600

Temple of Luxor The placement of certain hieroglyphs in the temple corresponds to specific organs in the human body. This suggests a deep understanding of both the symbolic nature of language and anatomy.

Nature is Amazing ☘️ Lovely Wild Bear meats himself in the forrest....

https://www.youtube.com/watch?v=YaaVjCL9NHc Bossa Nova Rhythm on Guitar - Complete Tutorial In Bossa Nova rhythm is crucial. This is a thorough tutorial on how to play the classic Bossa Nova rhythm pattern on the guitar. ➡ FREE pdf download: Play Any Jazz or Bossa Chord with Just 8 Shapes: http://anyjazzchord.com/ Content Outline with Timestamp Links: 0:00 - Introduction 0:14 - Example of Bossa Rhythm Pattern 0:44 - Rhythm Pattern Example on Corcovado Progression 1:24 - Rhythm Pattern Notation and Analysis 5:51 - Rhythm Exercises 8:34 - 7 Recommended Bossa Tunes 9:10 - How to Play Any Jazz Chord pdf Guide This lesson is designed to help you learn and play the famous Bossa Nova guitar rhythm pattern confidently via breaking down and analyzing what’s going on in the pattern, and then using step-by-step time exercises to make it sound rhythmically tight so it really grooves. This is the essential rhythm pattern that is the signature sound of Bossa Nova guitar music. And it’s really fun to play!

Freemasonry is an occult order which has its roots in the ancient Mystery Schools. The worship of Osiris the sun and Isis the moon. It is astrotheological in nature, which is the worship of the heavens. In his book "The Origin of Freemasonry," Thomas Paine tells us Freemasonry can be traced to Celtic Druids, which can be traced to Egypt and ultimately the Babylonian Mystery Religion. After Celtic and Germanic Middle East migration after the fall of Babylon. This coincides with the Knights Templars restoring the old ways, creating the Jesuit Order. Ignatius Loyola was the founder of the Jesuit Order. You see, the Druids were not able to control the people through the use of hidden knowledge and was lost...until the Knights Templar reignited the Mystery Religion of Babylon in Europe and the worship of the sun came back, amongst the Christian countries, in the guise of Christianity. Hence, the Catholic Church. Ultimately branching off into many organizations, including Freemasonry. The Jewish Kaballah got its teachings from the Babylonian Mystery Schools of which was accessed during the Babylonian Captivity. Albert Pike, who is a 33° Freemason, explains that Freemasonry is derived from the Jewish Kaballah. In his 1871 book, Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry, Pike says of the Jewish Pharisee tradition... “The primary tradition... has been preserved under the name of the Kaballah by the priesthood of Israel.” “Freemasonry is not Christianity, nor a substitute for it. It does not meddle with sectarian creeds or doctrines, but teaches fundamental religious truth.” (Albert G. Mackey, Encyclopedia of Freemasonry, page 162) “Masonry, like all the Religions, all the Mysteries, Hermeticism and Alchemy, conceals its secrets from all except the Adepts and Sages, or the Elect, and uses false explanations and misinterpretations of its symbols to mislead those who deserve only to be misled; to conceal the Truth, which it calls Light, from them, and to draw them away from it.” (Albert Pike, Morals and Dogma, page 104) “Drop the theological barnacles [timeless Biblical truths] from the religion of Jesus, as taught by Him, and by the Essenes and Gnostics of the first centuries, and it becomes Masonry, Masonry in its purity, derived as it is from the old Hebrew Kaballa as a part of the great universal religion of the remotest antiquity.” (J. D. Buck, Mystic Masonry, page 119) Further research https://twitter.com/RedpillDrifter/status/1785585279933489383

What is in the marble block? There is probably a sarcophagus in the block, where a high priest or person worshiped as a god was buried, such as a pharaoh or a high priests, whom they saw as a deity. The pharaohs were worshiped as children of the gods such as fe one of the 9 deities of Egypt or Nine Gods of Egypt or The nine Ennead gods of Egypt: Atum, Shu, Tefnut, Geb, Nut, Osiris, Isis, Seth, and Nephthys. They are the family of Atum the god of the sun, and are the children, grandchildren and great-grandchildren of the sun god. The meaning of DEITY is the rank or essential nature of a god : divinity. Some of other deities of different religions are: From the Ancient Greek religion: Zeus, Apollo, Athena, Ares, Aphrodite, Poseidon, Hades, Thanatos, Dionysus, Hera, Artemis, Hephaestus, Hermes, nymph. From the Ancient Norse religion: Thor, Odin, Tyr, Frey, Freya, Baldur, Loki, Iðunn, Njord, Frigg. Burried? Perhaps there is a buried treasure or a secret that one did not want others to ever know, such as secrets written in stone, ancient knowledge of highly developed peoples who have inhabited the earth? It could also be an animal, after all, f.e cats were seen as sacred animals by Egyptian and other peoples. Sometimes animals or people considered to be a monster were buried alive or dead In ancient times, unfaithful women were sometimes punished and buried alive by the pharaoh or king. You should know that stoning and burying women alive, fe in the dessert, but also children (crying children who are seen as possessed by a demon) is common in certain countries and cultures, and still is happening based on an age-old barbaric form of belief People wonder how that huge block could be moved? The parts were carried in parts by manpower, loyal workers, who worshiped the gods and did everything for the high priests or the pharaoh, whom they saw as a deity. They used ropes levers pulleys trunks, elephants and powerfull mamouth were used for very heavy work A square meter of marble weighs at least 50 kg The inner of the block and top are empty, so not 100 tons but approximately Avoirdupois? Avoirdupois (/ˌævərdəˈpɔɪz, ˌævwɑːrdjuːˈpwɑː/;[1] abbreviated avdp.)[2] is a measurement system of weights that uses pounds and ounces as units.[3][4] It was first commonly used in the 13th century AD and was updated in 1959. Ton Ton, unit of weight in the avoirdupois system equal to 2,000 pounds (907.18 kg) in the United States (the short ton) and 2,240 pounds (1,016.05 kg) in Britain (the long ton). The metric ton used in most other countries is 1,000 kg, equivalent to 2,204.6 pounds avoirdupois. it is physically possible for a human to lift a weight of 1 ton. However, it is important to note that this is an extraordinary feat of strength and not something that the average person can achieve. Strongmen Records: There have been strongmen who have lifted weights exceeding 1 ton. Jim Williams presses 288 kg (635 lb) at the Eastern USA Open. Then in November, he presses 300 kg (661 lb). Jim Williams presses 306 kg (675 lb) with only ace bandages on his elbows, wearing a T-shirt on November 9, at the 1972 AAU World Powerlifting Championships. https://twitter.com/GANJARAMBO420/status/1785258141430493649

https://twitter.com/VisionaryVoid/status/1784121625237135419 In 2009, The famous Italian diver Enzo Maiorca dived into the sea near Syracuse. He was with his daughter Rosana on the boat. While diving, he felt a light blow on his back. He turned around and saw a dolphin. He realized that the dolphin didn't want to play but was trying to communicate something. The animal dove down, and Enzo followed. At a depth of about 15 meters, another dolphin was trapped in an abandoned net. Maiorca quickly asked his daughter for the diving knife. In a few minutes, they managed to free the dolphin, who let out an "almost human cry" as Maiorca described it. A dolphin can survive underwater for up to 10 minutes before suffocating. After being freed, still dazed, the dolphin, Enzo, Rosana, and the first dolphin resurfaced. Then it turned out to be a female dolphin who gave birth to a baby dolphin shortly afterward. The dolphin father made a circle, swam to Enzo, touched his face like a kiss, as a gesture of gratitude... and swam away. After everything that had happened, Enzo said: "Until man learns to respect nature and communicate with the animal world, he will never know his true role on Earth!"

https://www.kristynski.ca nature photography Kris Tynsky

The Titanic sank Millionaire John Jacob Astor IV his money in his bank account was enough to build 30 Titanics. H J J Astor chose what he deemed morally right and gave up his spot in a lifeboat to save two frightened children. Millionaire Isidor Straus, co-owner of the largest American chain of department stores, "Macy's," who was also on the Titanic, said: "I will never enter a lifeboat before other men." His wife, Ida Straus, also refused to board the lifeboat, giving her spot to her newly appointed maid, Ellen Bird. She decided to spend her last moments of life with her husband. These wealthy individuals preferred to part with their wealth, and even their lives, rather than compromise their moral principles. Their choice in favor of moral values ​​highlighted the brilliance of human civilization and human nature.

https://twitter.com/VigilantFox/status/1724879321255366971 /Premeditated Murder: They Knew Remdesivir Would KiII, and They Did It Anyway Prior to COVID, Ralph Baric's and Tony Fauci's pet drug, Remdesivir, had a 53% mortality rate in clinical trials done in Africa. "53% mortality if you got Remdesivir!" stressed Dr. David Martin. "There is no such thing as a 53% lethality of anything nature does ... and that's what we chose to use in COVID."